Vampires are all the rage right now, especially the urbane, civilized
kind. Werewolves - hitching a ride, perhaps, on the height-of-fashion
coattails of their undead brethren - aren't far behind. "Soulless" hops
on that paranormal gravy train and takes us for a ride into Victorian
England, where vampires and werewolves are registered members of
society. Not everyone knows they exist, but the crown, at the least,
does.
Alexia Tarabotti knows about them, too. She's a preternatural -- or, as
the title of the book implies, she has no soul. (The vampires and
werewolves in Carriger's world are troubled by an excess of soul.) As a
preternatural, Alexia's touch reduces any paranormal to a mere normal.
It's an ability that will come in useful as she and werewolf alpha Lord
Maccon try to get to the bottom of a rash of bizarre vampire- and
werewolf-related incidents.
Trying to figure out who's behind those incidents is ostensibly the main
plot in this story. In practice, the book is really one long,
drawn-out, when-will-they-finally-have-sex teasers. The romance is fine
on its own, but it winds up eclipsing the mystery and lands those two in
ridiculous situations. (Spoiler: I mean, they're all but having sex
while they're trapped in the villains' lair and have yet to figure out how to escape with their lives. Priorities, people.)
I did like Alexia's character: She's spunky, independent and, for a
pleasant change of pace, not fantastically beautiful. Her Italian
heritage is amusingly cited time and again as a big, black mark against
her.
Humor is one of this book's strengths, for that matter. None of the
characters are to be taken seriously. Alexia's family is absurd, the
werewolves are a study in contradictions (the weakling as the alpha's
righthand man? Sure, why not?), and the vampires are cast as a group of
squabbling children. Lord Akeldama, a loner vampire and Alexia's friend,
is meant along the same lines, but he's a foppishly over-the-top gay
who would be more amusing if his dialogue were less annoying to read.
Perhaps the most telling judgment of this book is that there are four
other books in the Parasol Protectorate series and I haven't been
inclined to keep going. In all, "Soulless" was entertaining but not all
that memorable.
Showing posts with label fantasy. Show all posts
Showing posts with label fantasy. Show all posts
Sunday, June 10, 2012
Sunday, June 3, 2012
Review: "The Assassin ..." novellas by Sarah J. Maas
It appears that I haven't figured out how to work the timed posting feature yet. Here's the post meant for two weeks ago.
Sarah J. Maas' first novel, "Throne of Glass," comes out in August. Over the last few months and leading up to that debut, she's releasing four prequel novellas to build interest and back story: "The Assassin and the Pirate Lord," "The Assassin and the Desert," "The Assassin and the Underworld" and "The Assassin and the Empire." (That last one will be released in July.)
"The Assassin and the Pirate Lord" introduces Maas' heroine, assassin Celaena Sardothien, who at 16 already considers herself the best assassin in the world. She works for Arobynn, who is presented as something akin to a brothel madam for a stable of assassins. Celaena is beautiful, vain, self-centered and arrogant, but when she and fellow assassin Sam are sent to manage their master's purchase of 100 slaves, she realizes she can't abet human trafficking.
This was a good introduction. The antagonistic relationship between Celaena and Sam starts abruptly and isn't given much back story, and it resolves a bit too quickly, but that's a minor quibble. I generally like the characters — even the Pirate Lord, who is ostensibly the villain here. A bit more explanation of Celaena's role in the assassins' world would have been helpful - I found myself wondering a few times why it was so necessary for her to be disguised. We don't get that answer in this novella.
In "The Assassin and the Desert," Celaena is punished for her actions in "The Pirate Lord" with a vicious beating and sent to train with a covey of assassins in the Red Desert. She's out of her element and, though the assassins are familiar with her name, her reputation doesn't buy her the same awe it does back home. She has to convince the Mute Master of the desert to write her a letter of recommendation — essentially — but with a traitor at work in the assassins' base, her time to impress the master may be shorter than she realizes.
Sam isn't present in this novella, aside from in Celaena's thoughts, and I missed his character. The Mute Master's son steps into the leading man's role, in a way, and it highlights a weird contradiction in Celaena. She's very aware of her beauty and is a fairly worldly character, but we learn that she's never been in a relationship, nor even kissed a boy. It's rather odd for the way she's presented. Overall, the story arc is more developed than in the first novella, and there's more growth from Celaena.
"The Assassin and the Underworld" focuses less on action and more on personal growth. Back from the desert, Celaena finally learns what happened to Sam as punishment for their actions in "The Pirate Lord." She's dealing with her feelings for him at the same time she's trying to come to terms with her changed feelings for Arobynn. At the same time, she and Sam are working together to break up another web of human trafficking through the assassination of a key player.
Celaena faces the choice of remaining a kept woman or of leaving Arobynn and taking control of her own fate. It takes her longer to choose than I (and Sam) expected. We also finally get the reason that Celaena hides her identity: it's because she is presented to society as Arobynn's niece. Learning that earlier wouldn't have hurt anything, and it would have made parts of "Pirate Lord" less confusing.
The writing in these is top notch, and the characters are likable when they're supposed to be likable (and not, when they're not). Arobynn, in particular, comes across as a creepy, manipulative man. My only complaint, in fact, is that for all Celaena talks of herself as the BEST assassin EVER, it's not supported in the stories. She makes frequent mistakes, she gets caught, she gets played. I'm not sure whether we're supposed to believe she really is such an accomplished assassin or whether it's meant as a sign of her age; more clarification along those lines would be nice.
All in all, very good stories. I'm looking forward to "Throne of Glass" and the fourth novella — although judging by the description of "Throne of Glass," bad things are in store for Sam, in particular.
Sarah J. Maas' first novel, "Throne of Glass," comes out in August. Over the last few months and leading up to that debut, she's releasing four prequel novellas to build interest and back story: "The Assassin and the Pirate Lord," "The Assassin and the Desert," "The Assassin and the Underworld" and "The Assassin and the Empire." (That last one will be released in July.)
"The Assassin and the Pirate Lord" introduces Maas' heroine, assassin Celaena Sardothien, who at 16 already considers herself the best assassin in the world. She works for Arobynn, who is presented as something akin to a brothel madam for a stable of assassins. Celaena is beautiful, vain, self-centered and arrogant, but when she and fellow assassin Sam are sent to manage their master's purchase of 100 slaves, she realizes she can't abet human trafficking.
This was a good introduction. The antagonistic relationship between Celaena and Sam starts abruptly and isn't given much back story, and it resolves a bit too quickly, but that's a minor quibble. I generally like the characters — even the Pirate Lord, who is ostensibly the villain here. A bit more explanation of Celaena's role in the assassins' world would have been helpful - I found myself wondering a few times why it was so necessary for her to be disguised. We don't get that answer in this novella.
In "The Assassin and the Desert," Celaena is punished for her actions in "The Pirate Lord" with a vicious beating and sent to train with a covey of assassins in the Red Desert. She's out of her element and, though the assassins are familiar with her name, her reputation doesn't buy her the same awe it does back home. She has to convince the Mute Master of the desert to write her a letter of recommendation — essentially — but with a traitor at work in the assassins' base, her time to impress the master may be shorter than she realizes.
Sam isn't present in this novella, aside from in Celaena's thoughts, and I missed his character. The Mute Master's son steps into the leading man's role, in a way, and it highlights a weird contradiction in Celaena. She's very aware of her beauty and is a fairly worldly character, but we learn that she's never been in a relationship, nor even kissed a boy. It's rather odd for the way she's presented. Overall, the story arc is more developed than in the first novella, and there's more growth from Celaena.
"The Assassin and the Underworld" focuses less on action and more on personal growth. Back from the desert, Celaena finally learns what happened to Sam as punishment for their actions in "The Pirate Lord." She's dealing with her feelings for him at the same time she's trying to come to terms with her changed feelings for Arobynn. At the same time, she and Sam are working together to break up another web of human trafficking through the assassination of a key player.
Celaena faces the choice of remaining a kept woman or of leaving Arobynn and taking control of her own fate. It takes her longer to choose than I (and Sam) expected. We also finally get the reason that Celaena hides her identity: it's because she is presented to society as Arobynn's niece. Learning that earlier wouldn't have hurt anything, and it would have made parts of "Pirate Lord" less confusing.
The writing in these is top notch, and the characters are likable when they're supposed to be likable (and not, when they're not). Arobynn, in particular, comes across as a creepy, manipulative man. My only complaint, in fact, is that for all Celaena talks of herself as the BEST assassin EVER, it's not supported in the stories. She makes frequent mistakes, she gets caught, she gets played. I'm not sure whether we're supposed to believe she really is such an accomplished assassin or whether it's meant as a sign of her age; more clarification along those lines would be nice.
All in all, very good stories. I'm looking forward to "Throne of Glass" and the fourth novella — although judging by the description of "Throne of Glass," bad things are in store for Sam, in particular.
Sunday, May 6, 2012
Review: "Tricked: The Iron Druid Chronicles" by Kevin Hearne
If you're
not familiar with Kevin Hearne's "Iron Druid" series, you should (but
don't necessarily have to) read "Hounded," "Hexed" and"Hammered" before
you tackle "Tricked."
After the cataclysmic events of "Hammered," it's not surprising that Book 4 starts off with Atticus wrapping up some unfinished business. With a hand from Coyote, the Navajo trickster god, Atticus manages to get the vengeful thunder gods off his back. That comes at a cost, of course; in exchange for dying in Atticus' place, Coyote asks Atticus to help him create a gold mine in the Colorado desert. Atticus is less than pleased when he finds out that to do so, he'll have to help Coyote's team rid the area of skinwalkers. Problem is, they have a power that's completely alien to his own, and he's not sure how to deal with it:
After the cataclysmic events of "Hammered," it's not surprising that Book 4 starts off with Atticus wrapping up some unfinished business. With a hand from Coyote, the Navajo trickster god, Atticus manages to get the vengeful thunder gods off his back. That comes at a cost, of course; in exchange for dying in Atticus' place, Coyote asks Atticus to help him create a gold mine in the Colorado desert. Atticus is less than pleased when he finds out that to do so, he'll have to help Coyote's team rid the area of skinwalkers. Problem is, they have a power that's completely alien to his own, and he's not sure how to deal with it:
"If I wanted to work up something to ward specifically against a skinwalker, I'd have to confront it first and see the pattern of it in the magical spectrum. General wards against magic from another plane may or may not work. And that's the problem with wards, Granuaile." I figured I might as well embrace the teachable moment. "You can't ward against everything, and sometimes the bad guys will win through or around it despite your best efforts."
We've more or less been introduced to Atticus' capabilities at this point, but the Navajo background and Granuaile's training as a druid lets Hearne slip in more back story and illustrate the limitations druids face, as above. That — plus the loss of the god-killing sword, Fragarach, and the way he's stumped by the skinwalkers — is a handy way of keeping Atticus from seeming invincible. After all, he's killed a slew of gods at this point in the series. It keeps the suspense alive.
The events of Book 3 meant Atticus, apprentice Granuaile and Oberon have to find a new home, so a decent part of "Tricked" is spent clearing up loose ends from their old lives — getting new identities, new bank accounts, new cover stories, etc. — and answering a few leftover questions. We find out whether Leif survived his injuries at the hand of Thor, the Morrigan makes an appearance, and we even get an update (so to speak) on what happened to the Widow MacDonagh. Happily, Hearne takes care of those details without allowing the story to drag or to retread too much old ground.
Book 5 looks to take place years in the future, after Granuaile's training is all but complete, which should give the series a fresh starting point. Judging by the end of "Tricked," it's going to be good.
Monday, April 30, 2012
Review: "Conspiracy" by Lindsay Buroker
At the end of "Deadly Games," a note from the emperor offered Amaranthe and her group of mercenaries a large sum of money to kidnap him. No explanation was offered, but for a group of people seeking to vindicate themselves of various accidental criminal acts — and other, more personal motives — it was the opportunity they'd been waiting for. Their plan to do so runs into a few hitches, of course.
Buroker's strong suit is her characters, and "Conspiracy" continues to flesh out the members of the Emperor's Edge: Amaranthe, Sicarius, Maldynado, Books, Akstyr and Basilard. This book's side story focuses on Akstyr and his motivations. I'll admit that he was my least favorite character in the previous books, simply because he was so sullen all the time, but "Conspiracy" gives reason to hope he's gotten past that. We get more back story on Maldynado, too, likely in preparation for his story in Book 5.
I'm a sucker for writers including call-backs to earlier works, so when minor characters made reappearances here, I was thrilled. I hope that one, in particular, becomes a regular part of the team. (Highlight for spoiler: Sergeant Yara. Her interactions with Maldynado were amusing, and "watching" Amaranthe deal with another woman was a nice change of pace.) I enjoyed the related book "Encrypted," so I liked the references to the lead characters of that story and the appearance of the mysterious technology. I would love to see these two worlds intersect at some point.
And, of course, there's Amaranthe and Sicarius. Sicarius again gives Amaranthe reason to question herself for having feelings for him, which — yeah. That's reasonable. He kills people at the least provocation. However, she's had ample time to reach a decision on that matter, and she needs to either find peace with who he is or accept that it's not going to work.
Buroker is one of the best self-published authors that I've found. Excellent writing, good plotting and good editing — which, unfortunately, isn't always the case for indie authors. "Conspiracy" more than lives up to the high expectations she's set with the preceding books.
Be warned: "Conspiracy" ends with a classic cliffhanger. Good thing Buroker's such a speedy writer.
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